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The Best Part of Writing

There’s the hard parts, and then there’s the easy parts.

I’ve really been feeling like writing was a chore for the last couple of weeks. I didn’t know if it was performance anxiety over having people suddenly throwing me money from all directions, or stress, or what. I was just missing my writing quota (1,000 words a day), and had to have a mental argument with myself every time I got on the train and was tempted to read comics or watch a movie on my iPod instead of write.

But I see now that I had it all wrong. The chapter was just hard. I was defining a culture that I know is going to have a major influence on everything I write from now on, and wanted to make it rich and complex and real, so that readers could really feel like they knew what it was like to live with these people and know their rules and ways as if they were one themselves. And at the same time, I was setting the main character in a certain light, so people could understand and sympathize with some of the horrible things he’s done.

Jeez, was I on crack when I decided to put something like that together? The whole time, I felt WAY out of my league, trying to be George RR Martin or James fricken’ Clavell.

Ever read Shogun? Read it. Seriously.

Anyway, I felt like your company softball captain trying to bat against a major league pitcher. Who was I kidding?

But I soldiered on, taking extensive notes, building a dictionary, and found out that it wasn’t really hard so much as tedious. Feh.

But then I got to the next chapter, where Arlen and Jardir, two men who will come to great conflict, are BFF, running around like buddy cops killing demons, and writing is a pleasure. I’m ahead of quota for the week with two days to spare, and am planning to crank out more. It’s like the book is writing itself and I’m just typing it. That is when writing is at its best.

The next chapter may well go back to hard work, but right now, things are a breeze.

With any luck, the sequel will be even better than the one all the publishers are throwing money at.

Posted on July 12, 2007 at 8:35 pm by PeatB
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Golden Ticket

Peat’s Agent: “Now that we have a US sale, we can try to sell the book to other markets, as well.”Peat: “How’s that?”

Agent: “I have sales contacts in the UK, and proxies who will sell to foreign language markets in Europe.”

Peat: “No shit.”

Agent: “Shit. All together, it won’t add up to the advance you got for the US sale, but you can make a tidy additional profit. My last client to do this had his book printed in 15 languages. Of course, it’s rare to do that well.”

Peat: “Rare. Right. Oh, well. I won’t get excited about it, then. Send it wherever you want.”

Agent: “OK. It will take a while for anything to happen. I’ve never in 20 years sold one before the book was printed in the US.”

Peat: “Which won’t be for like a year.”

Agent: “Yeah.”

Peat: “Whatever.”

That was a couple of weeks ago.

So I’m sitting in a boring meeting this morning about Multiple Sclerosis drugs.

Now, before you think me callous, please realize that I go to several meetings about MS a week, and none of it is about the patients. It’s all about marketing messages and prescribing habits of doctors. You would be bored to fucking death with it, too, if it didn’t make you sick.

Plus, I had a migraine. Someone threw out the fancy iced coffee I had left in the fridge on Monday, and I missed my daily caffeine dose. Before I knew it, I had the brewings of a major headache. I should have treated it last night, but I just decided to go to bed. Big mistake.

So I’m sitting in a conference room with picture windows, dozens of floors above Times Square. The view is awesome, the meeting is boring, and I feel like I have an icepick in my eye.

And my agent calls.

I stare at the phone frowning. It would be REALLY rude to take the call in the middle of the meeting, inconveniencing half a dozen other people for my own personal business.

So I grit my teeth, and let it go to voicemail:

Agent: “Call me right away!”

=click=

So I call him.

Agent: “Remember what I said about how you wouldn’t make a lot of money in the international market, and it would take a long time to sell?”

Peat: “Sure.”

Agent: “Well, forget all that. The editor at one of the big UK publishing houses locked herself in her apartment all weekend to finish your book. They want to buy all three books, and their first offer is bigger than your US first offer.”

Peat: “What?”

Agent: “The British Pound is very strong right now.”

Peat: “Er…”

Agent: “And this is just the first offer, and I haven’t even told the other UK publishers that they made the offer. You might have another big scramble to pick up the rights.”

Peat: “Dude. Are you shitting me?”

Agent: “No. And the UK isn’t even the biggest European market for fantasy. Germany’s the one to watch. Now that you have TWO solid offers that are each three times the going rate per book, the other markets will be sitting up and taking notice. And it means the publishers you DO have will be investing in things like window displays in bookstores.”

Peat: “Window displays?”

Agent: “Window displays.”

Peat: “Shit.”

I am totally in shock. I’ve been punch drunk and giddy all day.

So then I go to meet my US editor (who I told I have a blog, so she has probably googled and found it by now -Hi Liz! Welcome!) for lunch at a fancy restaurant (Publisher’s treat!). Didn’t really know what to expect there, either.

She was amazingly nice, and we hit it off right away. First we bonded about the restaurant and the food, and my upcoming vacation to Greece, and then it turns out we read a lot of the same comics and books, so we bonded as nerds, which was way more interesting. It was weird and natural, and almost businesslike. It was like we were assuring each other that we both spoke fluent nerd. Once we had that common language, we went right into discussing my books in geek speak, making references and using shorthand the muggles would never understand. We were practically just rolling 20-sided dice.

Then we shared industry stories, like the time Robert Jordan scolded me, and how George RR Martin’s inability to meet deadlines drives people to wild acts of madness to feed their Westeros addiction.

She wants to make some changes to the book, but amazingly, I agree with all of them, think she’s right, and can probably knock them out in a week.

Can you believe that? I was ready to draw a knife to protect my precious babies, and it turns out she treats them with the same loving-but-stern hand that I do.

Yesterday sucked, and who knows? Tomorrow may, too. But Today? Today, I feel like…

(I’ve Got A) Golden TicketGrandpa Joe:
I never thought my life could be
Anything but catastrophe
But suddenly I begin to see
A bit of good luck for me’Cause I’ve got a golden ticket
I’ve got a golden twinkle in my eye

I never had a chance to shine
Never a happy song to sing
But suddenly half the world is mine
What an amazing thing

‘Cause I’ve got a golden ticket

[Spoken]
It’s ours, Charlie!

[Sung]
I’ve got a golden sun up in the sky

I never thought I’d see the day
When I would face the world and say
Good morning, look at the sun
I never thought that I would be
Slap in the lap of luxury
‘Cause I’d have said:

Charlie:
It couldn’t be done

Grandpa Joe:
But it can be done

I never dreamed that I would climb
Over the moon in ecstasy
But nevertheless, it’s there that I’m
Shortly about to be

Grandpa Joe and Charlie:
‘Cause I’ve got a golden ticket
I’ve got a golden chance to make my way
And with a golden ticket, it’s a golden day

Grandpa Joe:
[Spoken]
Good morning, look at the sun!

Grandpa Joe and Charlie:
[Sung]
‘Cause I’d have said,
It couldn’t be done

Grandpa Joe:
But it can be done

I never dreamed that I would climb
Over the moon in ecstasy
But nevertheless, it’s there that I’m
Shortly about to be

‘Cause I’ve got a golden ticket

Grandpa Joe and Charlie:
‘Cause I’ve got a golden ticket
I’ve got a golden chance to make my way
And with a golden ticket, it’s a golden day

Posted on July 10, 2007 at 9:22 pm by PeatB
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Kvell

Yeah, so when I first go to sell my book, my agent is all like, “I just want to warn you, this is going to take a while. I am going to try and convince editors to move your book to the top of the reading pile, but still, it may be months before anyone even reads it.”

“Got it,” I said, not expecting anyone to read it, ever.

“And even if they do, you’re a first-time author, and they won’t have any prior record to go by,” he said. “You’re going to get some rejections.”

“No doubt,” I replied, fully expecting that they would ALL be rejections.

“Even after that, I’ve seen it take 6 months after an editor says they liked the book and them making an offer.”

“I’ll never get an offer. Got it.” I said. Or was it thought? Whatever.

“And if we get a sale, it’s not going to be a lot of money up front. They will want to see how it sells first. If it does good, you’ll be able to negotiate a better deal for the second book.”

“I’ll make shit and it won’t sell,” I said, steeling myself.

So the book goes out, and a week later, I get my first rejection. No surprise there. A week after that, another rejection. Then one the week after that.

Then, at a mere 3 weeks in, my agent calls.

“The editor for one of the biggest publishing houses in Fantasy just called,” he said. “She read your book over the weekend and loved it. She just gave her publisher the first 100 pages to read.”

“Holy crap,” I said.

“This is not a guarantee of anything,” he said. “Her boss has vetoed books from me before. But it’s a good sign.”

“Her boss will veto it,” I said. “Got it.”

3 hours later, he is forwarding me e-mails from other publishers. He’d told them someone was interested. Literally HALF of the original 10 publishers we sent to, 5 of the biggest publishers in the world, had started the book, and every single one of them was liking it so far.

Every. Single. One.

Remember, 3 of the original publishers we sent to had already rejected it. Which meant that out of the remaining 7 publishers, FUCKING SIX of them, were reading–and liking, MY book!

That was Monday afternoon.

On Wednesday, I get an e-mail from my agent. “They want to know if you have any other books planned in the series, and what the plots are. Do you have anything we can send them?”

“I guess,” I said. “The sequel is plotted out in meticulous detail, and I’ve written about 25% of it. Maybe 115 pages of stepsheet and prose. I have a couple dozen pages of notes on book three, too.”

“No, no,” he said. “They want like a three to four pages on the sequel, and another page on what’s after that, and they want it tomorrow. Can you whip that up tonight?”

“Dahr.” I said. “Yeah, sure.”

So I stayed up all Wednesday night, trying to boil all the intrigue and characters and POV shifts of book 2 into 4 pages while still covering all the important plot points. Around 2am, I started in on book three. By 3:30, I had my 5 pages, and e-mailed them to my agent. I went to bed. I didn’t sleep.

Thursday, bloodshot and bleary-eyed, I stumbled in to work and found my agent had already e-mailed me notes and comments. He didn’t change a lot, except in my cover letter, but he wanted almost another page on what would happen after book 2, if the series was popular enough to add more stories.

So I pounded away at that during lunch, and asked a few friends to proof it for me. By 3pm, I sent him a final .pdf of the 5 page proposal.

At 4pm, I get a call.

“Are you sitting down?” my agent asked.

“Yeah,” I said.

“They want to buy three books,” he said. “The offer is over twice what I told you to expect for one, per book.”

“What?” I asked.

“They want to buy three books,” he said again. “The offer is over twice what I told you to expect for one, per book.”

“Dahr,” I said.

“In 20 years as an agent, I’ve never seen a first-time author get an offer for a fantasy novel so quickly, and for so much,” he said.

“Dahr,” I said.

“And it’s only the first offer, and we’re not taking it,” he said.

“What?” I asked, but he had already hung up.

An hour later he calls back, “I spoke to the other publishers,” he said. “Two more folded when they heard the size of your offer, but the others, the 4 biggest, didn’t blink at the cost, and want the weekend to have their senior people read the book. It looks like we may be moving to auction.”

“Auction?” I ask.

“I meet them behind closed doors and they have a bidding war,” he explained.

“No shit,” I said, feeling slightly nauseous. At this point he starts rattling off numbers and sales projections to me, and my eyes start to cross.

Plus, I still had work to do. You know, at my JOB? Much as I wanted to take the rest of the day off, I had people depending on me for shit, and somehow had to manage to focus back on work for another hour.

Then I went out and got roaring drunk with a couple of friends who had been instrumetal in keeping me focused on the book since I first started working on it like 7 years ago. I got home later that night, and had my agent explain everything to me again. Dani wrote it all down while I guzzled water and tried not to hurl from all the flaming toasted marshmallow shots I had drank.

Did I mention that people over 30 shouldn’t do shots? I probably should at this point. Ugh.

So on Friday, I am hung over, exhausted, and I still had too much to do at the day job and couldn’t call in sick. So I spend the day following the traffic as all the major publishers debate through the day. I had to keep running out to the elevator bank to take calls from my agent without the whole office hearing. One of my coworkers said I was turning into a diva, constantly running to talk to my agent.

We sat on our hands all fucking weekend. That was hard.

On Monday, two of the big four say they would buy the book, but they don’t want a bidding war. The third is undecided. The fourth will only participate in a 3-way bid.

I couldn’t take it anymore. “See if you can get another 25% on top of the original offer,” I said, sounding sure of myself even though I was freaking the fuck out. “If they agree, take it.”

So he hangs up, and 20 minutes later he calls me. “Congratulations,” he said. “You’ve just sold your first three books to one of the 2 biggest fantasy publishers in the world, at three times what I told you to expect.”

I didn’t say anything.

I still don’t believe it.

Fuck.

Posted on June 21, 2007 at 6:49 pm by PeatB
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Did I Mention I Sold My Book?

Did I mention I sold my book, along with two as-yet-unwritten sequels, last week?

No?

Oh.

Well, I will. Remind me.

Posted on June 21, 2007 at 7:57 am by PeatB
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Rejection the Second

Met my agent today at Book Expo America. He let me use his assistant’s badge to get in, and we walked around so he could introduce me to people and score me some freebies. It was a Sunday, so the best freebies were long gone, and a lot of the top editors were nowhere to be found, but I still met some good people, got to do a little gladhanding, and learned a LOT about the industry and the politics of publishers who have my manuscript on their desks.

My agent knows everyone. One of the editors at Tor books, arguably the top of the SF publishing heap, actually gushed “We love your authors!” to him. That was gratifying to hear. He has faith in me, and publishers have faith in him, so hopefully that will bear fruit.

I walked out of there with a LOT of promotional copies of books, including the new novel by RA Salvatore, who, it could be argued, did more to influence my love of fantasy than even JRR Tolkien himself. I heard RA was signing the day before. Sorry I missed that, but them’s the breaks. My back was literally breaking by the time I got home and unloaded the 30 or so books I had collected for myself, friends, and family.

Of course, when I first met my agent in the morning, he had a little gift for me. My second rejection letter for The Painted Man. Feh.

The crux of the letter was:

I really enjoyed many elements of the story, but ultimately, I was not drawn to the main protagonist.

Ah, well. Everyone has their own taste. Two down, eight to go. With 80% of returns still to come, and the two rejections from (relatively) smaller presses, my spirits are still high. Everyone I have given the book to, biased or not, has said they really enjoyed it, and when I re-read, I feel the same way. It’s a strong piece, the best I have ever produced, and I am confident someone will want to publish it.

Still, I wonder how many rejections it will take before they start to get to me? 5? 8? No telling. We’ll take it as it goes. I was kind of expecting to be hit harder by them than I have been. I don’t normally deal with rejection well.

Posted on June 3, 2007 at 6:29 pm by PeatB
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